CaP events

Tuesday 7th December from 11.00 to 14.00: Online

Portraits of crime? The ethics of displaying real lives and people

Detail of West Midlands criminal registers page, Male and juveniles, 1870-1879; image reproduced with kind permission of West Midlands Police Museum

Understanding British Portraits (UBP) and the Crime and Punishment Collections Network (CaP) are delighted to be collaborating to host this thought-provoking online session which will examine the display and interpretation of criminal justice portraiture.

The theme of criminal justice portraiture will cover the spectrum of the frequently replicated images of ‘mugshots’ held or displayed by police force museums or archives; images gathered during police work—for example surveillance photographs of the suffragettes; replications of mugshots employed for self-expression—see the National Portrait Gallery’s Peter Gary Tatchell, Queer Terrorist—or for commercial products; artistic interpretations such as Myra by Marcus Harvey; or ‘curated’ portraits of criminals such as Ronnie Kray drinking with Baron Boothby. The session will also look at the work of Koestler Arts and the self-portraits painted by their artists who have been, or are currently going through, the criminal justice system.

Five expert speakers will explore complex ethical challenges around curatorial interpretation, access, consent, agency, individual rights or legacy which may be raised in displaying such portraits:


11.00

Opening introductions by Chairs: Professor Heather Shore / Dr Angie Sutton-Vane


11.10-11.30

Speaker: Corinne Brazier, West Midlands Police Museum: In focus: West Midlands Police mugshot collection


11.30-11.50

Speaker: Jackie Keily: Peopling the Crime Museum Uncovered: The role of portraits in personalising an exhibition narrative


11.50-12.15

Speaker: Fiona Curran, Koestler Arts: Portraiture as practised by those in a secure setting – the Koestler Arts experience


12.15-12.25

Questions for the first three speakers


TWENTY MINUTE BREAK


12.45-13.05

Speaker: Professor Heather Shore, Manchester Metropolitan University: Picturing infamy: From portrait to mugshot


13.05-13.25

Speaker: Professor Helen Johnston, University of Hull: Arresting images: Ethics, photography and the Victorian/Edwardian criminal justice system


13.25-13.35

Questions for the two speakers


TEN MINUTE BREAK


13.45

Round table discussion with speakers and Chairs


14.05

CLOSE


The event will be chaired by Dr Angie Sutton-Vane, Chair of CaP and visiting fellow in the History Department at the Open University, and Professor Heather Shore, historian of crime and youth justice at Manchester Metropolitan University.

Register for the event by clicking on the Eventbrite logo

The group of portraits below have been chosen by CaP and UBP in that they represent some of the questions which will be examined during the five presentations.

West Midlands, England, Criminal Registers, 1850-1933: Male and juveniles 1870-1879. Image available on Ancestry.com. Reproduced with kind permission of the West Midlands Police Museum.
Cat No: NPG D40697: John Sheppard by George White, after Sir James Thornhill; mezzotint, circa 1724. Image used with kind permission of the National Portrait Gallery.
Cat No: 19K8679; Dementia, The Redwoods Centre, James Wood QC Silver Award for Portrait 2019. Image reproduced with kind permission of Koestler Arts.
Brooklyn Museum Archives. Records of the Department of Photography. Sensation: Young British Artists from the Saatchi Collection. [10/02/1999 – 01/09/2000]. Installation view including ‘Myra’ by Marcus Harvey, and work by Damien Hirst. Courtesy of Brooklyn Museum Archives.
Cat No: 19K5568; All Messed Up (A Self Portrait), HM Prison Full Sutton, Marie-Louise von Motesiczky Platinum Award for Portrait 2019. Image reproduced with kind permission of Koestler Arts.
Cat No: 19K8030; The Test, HM Prison Greenock, Highly Commended Award for Portrait 2019. Image reproduced with kind permission of Koestler Arts.
Cat No: NPG x76158: Miranda Richardson as Ruth Ellis in ‘Dance with a Stranger’, by Diana Miller, colour print, 1984. Image reproduced with kind permission of the National Portrait Gallery.
West Midlands, England, Criminal Registers, 1850-1933: Male photo book, part 4. Image available on Ancestry.com. Reproduced with kind permission of the West Midlands Police Museum.
Cat No: NPG x136418: Mary A. Aldham and Ethel Cox, Suffragettes; by unknown photographer; Criminal Record Office memorandum, Issued 24 April 1914. Image reproduced with kind permission of the National Portrait Gallery.
“Original serial killer makeup bag”; image used with kind permission of Gorejess Laboratory. Also “19 Crimes” wine; image by Angie Sutton-Vane
Cat No: 19K6241; Me, Myself and I, HM Young Offenders Institution Wetherby, 5RB Media and Communications Law Gold Award for Portrait 2019. Reproduced with kind permission of Koestler Arts.
Cat No: NPG x88486: Peter Tatchell by Polly Borland, bromide print, November 1999. Image reproduced with kind permission of the National Portrait Gallery.
Cat No: NPG x126471; Ronnie Kray and Robert John Graham Boothby, Baron Boothby by unknown photographer; bromide print, circa 1964. Image reproduced with kind permission of the National Portrait Gallery.